Robyn Pullen

SOPRANO

Praised for her rich tone and vocal control, British Soprano Robyn Pullen, recently received a Masters of Music in Vocal Performance at the Royal Northern College of Music in Manchester where she studied under Internationally Acclaimed Vocalists; the late Bass, Matthew Best, and Soprano, Linda Richardson.

Prior to this, she studied Music at Cardiff University where she undertook her Bachelors Degree and studied with French Operatic Coach, Pierre-Maurice Barlier. She initially began her vocal studies as a Mezzo-Soprano, yet now having studied as a Lyric Soprano since 2019, has been praised for the warm tone throughout her range.

Next Event

Chris Treglown Foundation Fund

Sea Serenade

Soloist

Tuesday 19th August

Robyn will be performing a selection of classical and musical theatre songs for an afternoon concert supporting the Chris Treglown Foundation Fund.

14:30

📍 Malibu, Tristram Cliff, Polzeath, PL27 6TP

  • “Not since I heard the young Amanda Roocroft, singing with us several times in the 1980’s, have I been so certain “here is a star in the making” It was quite breathtakingly beautiful.”

    Salford Choral Society

  • “Robyn Pullen (soprano) has a pure, sweet voice, yet can project considerable power.”

    Congleton Choral Society

  • “In Mozart’s Requiem, she shone not only as a soloist but as a true collaborator in her ensemble singing, not only with her soloist colleagues, but with the orchestra too.”

    Tom Newall: Conductor and Musical Director

  • “Robyn brought style and vigour to the Opera Scenes performance of Wolf-Ferrari’s Le Donne Curiose, singing the demanding role of Rosaura […] portrayed with style and intelligent musicality, by this upcoming and versatile young soprano.”

    Colin Mills: Journalist & Writer, University of Manchester

  • “The soprano Robyn Pullen's intelligent portrayal of Blanche de la Force progressed impressively from pallid idealist to committed heroine, and she delivered the exemplary 1959 English translation by Joseph Machlis with a bright, clear tone and a grateful musicality.”

    Mark Valencia: Opera Magazine