Robyn Pullen

SOPRANO

Praised for her rich tone and vocal control, British Soprano Robyn Pullen, recently received a Masters of Music in Vocal Performance at the Royal Northern College of Music in Manchester where she studied under Internationally Acclaimed Vocalists; the late Bass, Matthew Best, and Soprano, Linda Richardson.

Prior to this, she studied Music at Cardiff University where she undertook her Bachelors Degree and studied with French Operatic Coach, Pierre-Maurice Barlier. She initially began her vocal studies as a Mezzo-Soprano, yet now having studied as a Lyric Soprano since 2019, has been praised for the warm tone throughout her range.

Next Event

Shipston Proms 2025

Mrs Porter’s Champerpot Pourri Concert

Soloist

Wednesday 18th June

Robyn will be joining the annual Shipston Proms for Mrs Porters Chamberpot Pourri - an event designed to present a mix of classical music and other genres in a relaxed atmosphere. She will be singing Opera and Musical Theatre favourites.

19:00

📍 St Edmunds Church, Shipston-on-Stour, CV36 4AP

  • “Not since I heard the young Amanda Roocroft, singing with us several times in the 1980’s, have I been so certain “here is a star in the making” It was quite breathtakingly beautiful.”

    Salford Choral Society

  • “Robyn Pullen (soprano) has a pure, sweet voice, yet can project considerable power.”

    Congleton Choral Society

  • “In Mozart’s Requiem, she shone not only as a soloist but as a true collaborator in her ensemble singing, not only with her soloist colleagues, but with the orchestra too.”

    Tom Newall: Conductor and Musical Director

  • “Robyn brought style and vigour to the Opera Scenes performance of Wolf-Ferrari’s Le Donne Curiose, singing the demanding role of Rosaura […] portrayed with style and intelligent musicality, by this upcoming and versatile young soprano.”

    Colin Mills: Journalist & Writer, University of Manchester

  • “The soprano Robyn Pullen's intelligent portrayal of Blanche de la Force progressed impressively from pallid idealist to committed heroine, and she delivered the exemplary 1959 English translation by Joseph Machlis with a bright, clear tone and a grateful musicality.”

    Mark Valencia: Opera Magazine